![]() ![]() The aim? Strike a blow against their mutual enemy by destroying the Arasaka database. Thanks to his reputation, he's hired by a megacorp known as Militech to raid Arasaka HQ in Night City. Silverhand is unaware of this, and spirals downward in grief as a result.įast-forward a decade to 2024 and Silverhand has transformed into even more of a badass. More specifically, she has her mind trapped in the Cyberpunk internet. Sadly, he fails - his girlfriend winds up dead. When Silverhand's girlfriend was kidnapped in 2013 by megacorporation Arasaka for creating the digital 'Soulkiller' virus (more on that later), he staged a concert and whipped the crowd into a full-blown riot. The group's influence can still be felt in 2077 their song Never Fade Away is a classic in the Cyberpunk world, and the player character wears Samurai merchandise.Īnyway. Rockerboys use music to inspire others or fight oppression, and Johnny did that as part of a band called 'Samurai'. Silverhand (who literally possess a metallic arm, by the way) has been around since the earliest days of the Cyberpunk TRPG. Come to think of it, I also appreciated the chapter on "Serial Experiments Lain," if only because it explained what the hell was going on.Let's rewind a moment. Gieger, partially because that movie is pretty inscrutable at first glance. I particularly appreciated the chapter on "Tetsuo" and the comparisons drawn to "Un Chien Andalou," "Metropolis," and H.R. This was really helpful in reading what followed, but it's also probably the best (and simplest) summary of how to engage with postmodern narratives that I've come across, and I can already see myself returning to it. ![]() In the Introduction, Brown uses an image of a cyborgian Tetsuo from somewhere near the end of "Akira" as a means of explaining his approach to the works he covers- recombinant structures working independently, but in unison. This book exposed me to stuff I now love, primarily "Ghost in the Shell 2," "Kairo/Pulse," and "Serial Experiments Lain" (Oshii's live action "Avalon" is interesting, but understandably forgotten. I thought I would be familiar with most of the stuff covered in "Tokyo Cyberpunk," but it turns out that "Tetsuo: The Iron Man" was actually the only thing I had seen. If you're interested in these things you should definitely pick up am copy. ![]() I just had expectations that didn't fit the reality of the work. I get that this isn't really a real substantial complaint but at times I felt as if I were wasting my time.īut the work still wasn't bad. He really didn't need to spend all that time telling me, the reader, about the plot-lines of the works discussed - I'd bought the book in order to read about his thoughts on them rather than their objective content. Of course, nowhere does he state that his aim is one of schizo-analysis, but then why use the terminology? Just for show? I don't get it.Īlso, a big chunk of the book is comprised of original synopses of Japanese and Western works by the author, synopses that felt drawn-out at times. There certainly is a philosophical tone to the work, but it falls short of my expectations - the author uses Deleuzo-Guattarian terms throughout the work as a whole, but in such an uncritical and leisurely manner that I felt as if he were name-dropping rather than actually providing a D&G "schizo-analysis" of posthumanism in Japanese visual culture. ![]() I just expected more of a philosophical angle. ![]()
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